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My Bloodstained Torn Lehenga: A brown teenage girl's journey through life, experiencing grief, anger, curiosity, frustration, love and joy. 

I started using art as an emotional outlet when I first found out that oil pastels can not only be used in middle school classrooms to draw what's on the syllabus but also to show any emotion that was too big to be expressed in words for me. I used to start drawing with them without any plan and let my hands and mind take me wherever it felt like it on the paper. Soon, I saw myself picking the most vivid colors to go beside each other and fell in love with the chaos of using broken oil pastels and crazy colours.       

I'd then interpret my own paintings, feel seen by myself because of the intense degree to which I felt represented by them and write about the experiences they remind of. Since many of the paintings depict emotions we all feel, some of them being relatable to especially brown girls, I'd get messages from people my age talking about how I made them feel seen. This connection people felt to my art made me grow deeper love for it.

 

Even though the first piece is done in acrylic, the impact of me exploring oil pastels is quite apparent in the painting because of the aggressive outburst of colors even in depicting an emotion as heavy as my grief. 

Amar Shona Moyna Pakhi
Medium: Acrylic
Dimensions: 13.5x10 inches
Year Created: 2021

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It’s been many years, nanu. I haven’t felt your back against mine while sleeping for years. You’ll probably laugh knowing how I still sleep with a pillow that touches my back to replace your warmth. That’s what I loved the most about you. You’d find humour in the most mundane places. I’ve woken up in the middle of the night and felt your touch on this pillow god knows how many times or at least I’ve desperately tried to cling on to it. I’ve stored many dreams and many sleepless nights inside it. Maybe one day you’ll be able to find them stored inside it. I remember in vivid detail how your eyes would look like they store all the pain in the world when you’d sing Shona Moyna Pakhi. This song never seemed that sad to me. I can’t help but feel my chest be pierced by sharp needles every time I listen to it now. I see why you’d talk about your mom after singing it now,nanu. I understand. I feel guilty for not having you in my dreams anymore. I hope it isn’t because I’m slowly forgetting your face. It hurts sometimes that you left without any explanation. It hurts knowing you left your half-full Horlicks er kouta and reading glasses behind. It hasn’t stopped hurting.

আমার সোনার ময়না পাখি
কোন দ্যাশেতে গেলা উইড়া রে
দিয়া মোরে ফাঁকি রে
আমার সোনার ময়না পাখি

Bhabi
Medium: Oil pastel
Dimensions: 9x6 inches
Year Created: 2020

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You definitely know at least one Bhaabi in your life. Bhaabi walks around with pride in her massive eyes trying to spot women in distress. Bhaabi takes a look at you from the gaze she adopted from her fellow misogynists (who don't act like fellows with her haha) and tells you you deserve it. Bhaabi has giant ears. She can hear the traumatized but listens to the traumatizers. She's clearly fortunate to have her nose be thin because how else would she sneak it into narrow alleys to get the latest news on which woman is potentially in danger? If you're observant enough, you'll notice the splashes of blood trying to escape from her saari in the painting. Bhaabi has red hands. Not only because she's been caught a million times confidently enforcing patriarchal norms, but also due to the generational trauma extended by her ancestors to her and now, from her to you and me. Bhaabi is the patriarchy's greatest achievement. Bhaabi is the egregor of all the Fair&Lovely commercials you and I grew up watching and unlearning; that tell us that to thrive in an oppressor's world, we must be hidden under their thumb, stuck in their language ; maybe it's true. Maybe it isn't. I can't say for sure because I am just a clueless 16 year old at the end of the day. Even if she's trying to make the most out of a rigged system, deep down in your heart you can't ever forgive her for the old scars which often turn flammable with flashes of mundane subtle sexism.

Bhaabi is perhaps the matriarch of the patriarchy. While patriarchal men at the top create the societal structures, Bhaabi is expected to maintain them. Because while society claims mothers hold the household together and motherhood is highly rewarding only to lure them into these households, they're never given the key to rule the household. That belongs to the man in the family.

Kaather Putul
Medium: Oil Pastel
Dimensions:9x6 inches
Year Created: 2020

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Unlike what her mother expected, the child arrived as one with no colour on her skin. Yet like every child, you could make out from quite a distance how her eyes were filled with wonder, agitation and a longing for affection and recognition. However, her eyes had something special. Her eyes were so reflective that they could give you a glimpse of your own insecurities. So,looking into her eyes with fascination, her mother couldn't come in terms with the fact that the child she so wanted to believe was an extension of herself had no colour and looked nothing like her and thus she felt pathetic.

The mother painted her in her best colours and replaced her eyes with orange orbs that would gleam in the sun. What she came to realize after the colours didn't seem as pleasing anymore was that she'd emptied herself to fill up the child with colours.

She felt torn and betrayed by her own self. Feeling like a burden, the child began to cry out of the feeling of inadequacy to the point to which she couldn't cry anymore; not only because she was drained of all her energy but also because her mother chose to stitch up her own baby's mouth out of the guilt and confusion she felt for not being able to put her child's suffering to a halt. "Aren't all mothers supposed to have an inherent understanding of their child?" the mother contemplated.

With each day that passed with the child not saying a word, the mother got lonlier and lonlier. Society made her expect that her life would be fulfilled by the birth of her own child yet she was only met with disappointments and uncertainty afterwards. She'd ask the child quite often why she never spoke, why her eyes never filled themselves warmth and if her colours were even hers.

Daunted by the thought of giving birth to an emotionless wooden child, she threw her away into the depths of the Brahmaputra River. To make sure that nobody picks her up and nurtures her since she couldn't, the mother tried scraping off the child's colours, only resulting in more red oozing out.

It is said that the ravaged child's heartbeat can still be heard when the air gets too heavy to breath for those near the river.

Frogs and parallel universes

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I've always imagined dreams to be glimpses of other realities since that indicates to the probability of endless possibilities and your mind just taking you random places without giving you any prior notice as to where it'll take you which always means even though Iife gets mundane and there's nothing to look forward to at times, I still have my dreams to be excited about. If you know me, you know how absurd my dreams are. It's as if a frog suggests what places I should explore in my stupid head. I've attached absurdity with frogs for as long as I can remember. Maybe because of how I couldn't fathom the fact that I'd seen a frog in my nanu's backyard. I sometimes feel like that frog has highjacked my eyesight and with that, my ability to visualize and think clearly, resulting in a major brain-fog. I end up confused and frustrated, just like how I felt when I first saw that frog. Funny. While the idea that dreams are doorways to other realities is probably untrue, the sheer thought that there might be a different version of me dreaming about my life and think of how absurd it is makes me chuckle a lot xd

Trapped

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I am tired. I am tired of you making sure I have no safe space. I am tired of the nightmares where they come to take me somewhere with no destination. I am tired of the uncertainty, the insecurity , my hypersensitivity, the fact that my home is my place of captivity. I am tired of telling myself you'll be good; that you are good deep down. I am tired of believing in "deep downs". I am tired of not trusting my body because unlike my mind, my body doesn't lie to me. Then why can't I trust It? I am tired of feeling unsafe to speak my truth yet safe enough to lie. I am tired of expecting love from the wrong places. I can't feel my smile fold wrinkles near my eyes anymore. I am tired of trying to put my mind to where it's supposed to be. I am tired of trying to not be tired yet I feel guilty for resting. I see my colours deaden more with each day and I can't retain them because that'll be like holding on to water in my fist. I'll witness it escape my grasp helplessly

Twos and Nines and Lemons and Purples

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I've had a very colourful relationship with colours ever since I can remember. I feel emotions with the visualization of colours in my mind. I intuitively attach colours to numbers because numbers make me feel certain ways. This is what the number 29 feels like. 9 feels green but not too green because 9 is ambitious about their passions but questions if they really have an obligation to be exceptional. 2 on the other hand, feels feels purple but with an inclination towards warm tones. 2 is fierce and urges themselves to strive to be better. 2 would do anything to be the best but gets easily burned out. 2 and 9 together as "one" are clouded with self-doubt and questions about one's true purpose. But they're there to remind one another of what they love about their world, to be angry because anger towards what shuts them down indicates that there's still hope left of living in a better world and to remember that one's purpose in life is fluid and changes with time.

Intergalactic Alien Dance Queen
Medium: Oil Pastel
Dimensions: 9X6 inches
Year Created: 2020

 

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This was possibly one of the first ever oil pastel artworks I did after discovering the myriad of possibilities with oil pastel. So, it is essential to my journey as an artist. 

I Want to Eat your Brain
Medium: Acrylic
Dimensions: 6x9 inches
Year Created: 2021

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To ALL the people I've ever loved and who've loved me,

I want to eat your brain. I look at you while you do the most mundane things and think you're infinite and you make me feel limitless inside the four walls of my room. In such moments, life comes to a halt. I see God in you, not in an obsessive way though. It's just that you make love seem so soft, merciful and kind. I want to know more of your flaws. Sometimes, I can't trust myself when I say that I love you. How can I love you if I don't know enough about you? I shrink a little when the thought that I don't know many parts of you crosses my head. I've started loving myself a bit more because I know that all of you are a part of me in one little way or another. I know I am capable of love when I am caught unintentionally doing things you would do. It shows that I admire little things about you so much that my brain decided to adopt bits of your brain. I know I am loved when I remember how you tell me that something at the store reminded you of me; when you take the time out of your day to ask about how mine went or when you tell me about yours because you find me worthy of knowing about it. I know I'm loved when a random stranger I complimented on the street stops cycling to hug me with teary eyes. I know I am loved when I talk to my plants and feel acknowledged. I have received love from the most unexpected places and I have sheltered some aspect or another of that love. It's inevitable to receive love as long as I exist. There's so much to love and so much love to receive. Since you are in me, I am an embodiment of love. Since I embody love, perhaps I'm infinite too. I am a tapestry of all the stories we share together.

This song reminds me of how I feel when I think of you:

তুমি কেমন করে গান করো হে গুণী,
আমি অবাক্‌ হয়ে শুনি কেবল শুনি।।
সুরের আলো ভুবন ফেলে ছেয়ে,
সুরের হাওয়া চলে গগন বেয়ে,
সুরের আলো ভুবন ফেলে ছেয়ে,
সুরের হাওয়া চলে গগন বেয়ে,
পাষাণ টুটে ব্যাকুল বেগে ধেয়ে,
বহিয়া যায় সুরের সুরধুনী
তুমি কেমন করে গান করো হে গুণী,
মনে করি অমনি সুরে গাই,
কন্ঠে আমার সুর খুঁজে না পাই।
কইতে কী চাই, কইতে কথা বাধে—
হার মেনে যে পরান আমার কাঁদে,
আমায় তুমি ফেলেছ কোন্‌ ফাঁদে
চৌদিকে মোর সুরের জাল বুনি।।

Frogs and Parallel universes
Medium: Oil Pastel
Dimensions: 9x6 inches
Year Created:2020

I've always imagined dreams to be glimpses of other realities since that indicates to the probability of endless possibilities and your mind just taking you random places without giving you any prior notice as to where it'll take you which always means even though Iife gets mundane and there's nothing to look forward to at times, I still have my dreams to be excited about. If you know me, you know how absurd my dreams are. It's as if a frog suggests what places I should explore in my stupid head. I've attached absurdity with frogs for as long as I can remember. Maybe because of how I couldn't fathom the fact that I'd seen a frog in my nanu's backyard. I sometimes feel like that frog has highjacked my eyesight and with that, my ability to visualize and think clearly, resulting in a major brain-fog. I end up confused and frustrated, just like how I felt when I first saw that frog. Funny. While the idea that dreams are doorways to other realities is probably untrue, the sheer thought that there might be a different version of me dreaming about my life and think of how absurd it is makes me chuckle a lot.

Trapped

Medium: Oil Pastel

Dimensions: 9X6 inches

Year Created: 2020

I am tired. I am tired of you making sure I have no safe space. I am tired of the nightmares where they come to take me somewhere with no destination. I am tired of the uncertainty, the insecurity , my hypersensitivity, the fact that my home is my place of captivity. I am tired of telling myself you'll be good; that you are good deep down. I am tired of believing in "deep downs". I am tired of not trusting my body because unlike my mind, my body doesn't lie to me. Then why can't I trust It? I am tired of feeling unsafe to speak my truth yet safe enough to lie. I am tired of expecting love from the wrong places. I can't feel my smile fold wrinkles near my eyes anymore. I am tired of trying to put my mind to where it's supposed to be. I am tired of trying to not be tired yet I feel guilty for resting. I see my colours deaden more with each day and I can't retain them because that'll be like holding on to water in my fist. I'll witness it escape my grasp helplessly

Twos and Nines and Lemons and Purples

Medium: Oil Pastel

Dimensions: 9x6 inches

Year Created: 2020

I've had a very colourful relationship with colours ever since I can remember. I feel emotions with the visualization of colours in my mind. I intuitively attach colours to numbers because numbers make me feel certain ways. This is what the number 29 feels like. 9 feels green but not too green because 9 is ambitious about their passions but questions if they really have an obligation to be exceptional. 2 on the other hand, feels feels purple but with an inclination towards warm tones. 2 is fierce and urges themselves to strive to be better. 2 would do anything to be the best but gets easily burned out. 2 and 9 together as "one" are clouded with self-doubt and questions about one's true purpose. But they're there to remind one another of what they love about their world, to be angry because anger towards what shuts them down indicates that there's still hope left of living in a better world and to remember that one's purpose in life is fluid and changes with time.

© 2023 by Odam Lviran. Proudly created with Wix.com

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